![]() Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo. ![]() Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema. The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. When Mathieu Kassovitz’s second feature, La Haine, came out in 1995, a new auteur was born, and the world ‘discovered’ the Parisian suburbs. * important films of the 1990s such as Nikita and La Haine Click here to navigate to parent product. ![]() * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis Susan Hayward and Ginette Vincendeau (eds.), French Film: Texts and Contexts, Routledge: London, 1990.The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s.Susan Hayward, French National Cinema, (second edition), Routledge: London, 2005.Phil Powrie and Keith Reader, French Cinema: A Student's Guide, Arnold Press: London, 2002.Engage in close analysis of the film textsġ parallel seminar group Assessment Informationġ sequence analysis, 1500 words (25%), testing ILOs 1-4, 6ġ extended comparative essay, of 2500 words (75%), testing ILOs 1-6 Reading and References.Compare and contrast the construction of stars and genres in a wide range of film, and cultural and historical contexts.Carry out independent research inquiry appropriate to this level of study and with a sense of the consolidation of skills between levels of study in the building of the degree programme.Demonstrate critical awareness of theoretical scholarship in the field of study and to be able to express this in both oral and written form.Respond in a rigorous and analytical manner to the issues/debates raised by the unit and be capable of critically interrogating them.Demonstrate an understanding of the key issues arising from their study of French film history and theory, and popular culture.To facilitate students’ engagement with both close textual reading and broader critical analysis of secondary material.īy the end of this unit, students will be able to:.To explore the theoretical writings in English and French on film genres, stars and popular culture and to establish a dialogue between theories of film form, aesthetics and style, and theories of identity, spectatorship and reception.To expose students to a broad range of film representations from the mid-20th century to the present day through textual analysis and critical study of 8-10 key films.To provide a thorough coverage of historical and theoretical approaches to the study of French cinema through the study of popular culture, entertainment, genres and stars.To introduce students to a significant body of knowledge of a complexity appropriate to Year 2 UG level. : The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s.Attention will also be paid to the economic workings and socio-historical background of the French film industry, in both its national and global/transnational contexts Through the close study of particular genres, the unit will address issues of representation and reception, such as identity (gender, class, ethnicity), the construction of popular cultural forms, and the historical relationship between audiences and stars. The unit will focus specifically on the formation of a popular French screen and entertainment culture through coverage of a body of film texts drawn from different genres and modes of filmmaking, including comedies, musicals, crime thrillers, teen movies, social realist films, and documentaries. This unit aims to introduce students to the history of French cinema through critical study of the different genres that compose it and of the film stars that have shaped French popular culture through the latter stages of the 20th century and the early part of the 21st century. Genre, Stardom and Entertainment in French Cinema Janu History Edit An edition of French film, texts and contexts (1989) French film, texts and contexts 0 Ratings 0 Want to read 0 Currently reading 0 Have read This edition doesn't have a description yet. Please see the current academic year for up to date information. Please note: you are viewing unit and programme informationįor a past academic year. Phillips and Stringer cite as their main model for this, Susan Hayward and Ginette Vincendeaus French Cinema: Texts and Contexts, which first appeared in. ![]()
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